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So you want to figure out how to install Massive in FL Studio?
Massive is a synth from Native Instruments. I love the Komplete package from Native Instruments. I use their plugins and samples in almost every song I create.
So let’s get Massive installed.
I’ll show you how to do it in these 4 easy steps:
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- Make sure Massive is installed on your computer
- Setup the scan folder in FL Studio
- Scan the Plugins again
- Load Massive as a Synth
Let’s go through each step in more detail so you can follow along.
Make sure Massive is installed on your computer
You install all the Native Instrument plugins through Native Access.
Make sure you install that application, log in to your account. Check under the installed programs section to see that Massive is installed.
Next, click on the icon for Massive.
Then, on the right side of the window, click on the installation path section.
Jot down the folder path for the VST 64bit version of Massive.
Setup FL Studio to find Massive
If you followed my article on installing Kontakt in FL studio, then you should already have this path set up in FL Studio.
If not, no worries. I will show you how to do that right now.
Open up FL Studio.
On the left side menu, right click on Plugin Database.
Choose the option that says Manage Plugins.
This will bring up the Plugin Manager Folder.
This is where we tell FL Studio where to look for Massive.
Click on the add folder icon on the plugin search path menu.
This will bring up a folder selection window.
Look at the path that you jotted down in the first step.
Navigate to this folder and then click okay.
Scan the Plugins again
Now click the Start Scan button.
This will force FL Studio to look for new plugins.
When it gets done running, you should see massive show up in the list on the right.
It should be highlighted in yellow text. Mine is not, because I had previously installed Massive on my computer.
Close the Plugin Manager window.
On the left menu in FL Studio, click on the Plugin Database.
Now click Installed.
Then click Generators.
FL Studio considers Massive to be a generator, because it creates sound.
Things like reverb or delays would be located under the effects tab.
And then click VST.
You should see Massive in the list of VST Generators.
Now left click and drag Massive into your Channel Rack.
Simple as that!
Load Massive as a Synth
Now click on Plugin Database on the left side menu
Click on Generators. Fl studio groove download crack.
Click on Synth Classic.
You should see some images of synths like 3X Osc, Fruity DX10, and GMS.
Now click on the arrow in the top left corner of the instance of Massive you loaded into the Channel Rack.
Scroll down to add to plugin database (flag as favorite).
You’ll get a warning telling you that you are about to load this as a favorite in the Synth Classic section.
Click okay.
Now you should see an image of Massive appear in the left side of FL Studio, under the Synth Classic list.
So now you can easily add Massive to the Channel Rack.
Click on Add at the top of FL Studio
Navigate to the Synth Classic section and pick Massive.
Now FL Studio will load another instance of Massive.
CONCLUSION
I hope this was helpful to show you how to install Massive in FL Studio
Anytime you want, you can load Massive easily into your projects.
Have fun making some music!
FL Studio is one of the most powerful music production tools around, with an array of synths and effects available right out of the box. But like most producers, you could probably use a few more plugins! Here we’ve put together some of the best free plugins for FL Studio, which should cover you for almost every imaginable musical scenario.
Sitala
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Sitala is a drum plugin that can also be used as a standalone app. Although it is about as simple a drum plugin as you could want, it will find a place in almost any project due to its musicality and highly intuitive interface. Sitala’s six knobs and sixteen pads encourage you to use it as an instrument, which results in more musical beats and grooves.
Best Features & Specs
Sitala features 16 assignable pads that should be familiar to anyone who’s ever used a drum plugin before. You can drag and drop your own samples right into these pads or use the factory kits that come with the plugin.
Sitala also includes an array of sound-shaping tools that lets you put your own stamp on your drum sounds. With features such as ‘Shape’, ‘Compression’, and ‘Tone’, recreating traditional drum beats or more experimental grooves is a piece of cake.
Bottom-line
Like the best free FL Studio plugins, the beauty of Sitala lies in its simplicity. We found that it lets you lay down grooves quickly, and the results are always musical. We especially like how the interface allows you to play it like an instrument.
Piano One by Sound Magic
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Sound Magic’s Piano One is reminiscent of the Yamaha C7 concert grand, which is highly revered by many professional piano players. Based on Sound Magic’s Hybrid Modeling Engine, Piano One combines the best qualities of physical modeling and sampling. The result is an amazingly rich and responsive sound that often felt like playing a real piano.
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Sound Magic’s Hybrid Modeling Engine does a great job of combining the realism of piano samples and the responsiveness of physical modeling. Unlike other modeled instruments, Piano One responds instantaneously, with no sluggishness or delay. The sound is reasonably rich and full-bodied, particularly when playing sustained low notes. The plugin even comes with an onboard reverb that simulates environment and soundboard resonance for added realism.
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Even with its limitations, Piano One is a pretty impressive piano plugin. If you need a range of basic piano sounds but don’t have the cash for a humongous piano library, Piano One is worth looking into.
TyrellN6 & Zebralette by u-He
TyrellN6 is based on the legendary Roland Juno 60, which is one of the most iconic analog synthesizers ever made. Users of the venerable classic will appreciate the simplicity and ease of use of this plugin, which lets you create deep bass, lush pads, and cutting leads with relatively little effort.
Zebralette isn’t based on any particular instrument. Rather, it is a teaser of sorts for u-He’s well-respected Zebra 2. It has the same great-sounding oscillator that is in Zebra, giving you a taste of what you could achieve with the more fully-featured product.
Best Features & Specs
TyrellN6 and Zebralette give you a pretty diverse range of sounds, from classic to cutting edge. TyrellN6’s classic architecture is the ticket to thick and lush vintage sounds, with noise and a ring modulator joining the two oscillators for extra flavor.
Zebralette is a more esoteric plugin that allows for the creation of more outlandish and experimental sounds. This is a great entry point into the sonic possibilities offered by Zebra 2, and we were thrilled to find that Zebralette patches can be opened in Zebra 2.
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TyrellN6 and Zebralette are compact yet powerful synths that will find a place in any modern production. Even if you already have some powerhouse synths in your collection, these two free VSTs for FL Studio are worthy additions.
Guitar M Lite II
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Guitar M Lite II offers studio musicians the crisp and authoritative sounds of the Martin D-41 acoustic guitar in a convenient software plugin. Developed by Ample Guitar, M Lite is a great way to add glistening acoustic textures to your productions, even if you don’t happen to have a guitar player handy.
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M Lite is a sample-based instrument that weighs in at just under 850 MB. It includes standard guitar articulations such as hammer-ons and pull-offs, palm mutes, and pops, allowing you to create surprisingly realistic performances. The plugin also offers Customized Parameters Control (CPC), which lets you add more expressive touches via MIDI CC or automation.
We especially like the plugin’s Strummer function, which allows for some pretty convincing strummed performances. Strumming is where most acoustic guitar plugins fall short as far as we’re concerned, so were pleasantly surprised to find it implemented so convincingly in a free plugin.
Bottom-line
Those with discerning ears aren’t likely to be fooled by M Lite. But if you need some rudimentary acoustic guitar parts for a mockup, this plugin will do very well in a pinch.
LABS by Spitfire Audio
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Spitfire Audio’s LABS has created quite a stir in the software plugins world, so we were eager to put it through its paces. At present, the collection already covers a pretty broad range of instruments, and more are being added all the time. And because each instrument is a labor of love by dedicated musicians and sampling experts, the results are consistently impressive.
Best Features & Specs
Each LABS instrument comes in the form of a dedicated plugin, rather than a library you load in a software sampler. We found the user interface to be focused and refreshingly straightforward, with easy to use controls for dynamics and expression. We also like the inclusion of a knob that can be customized for whatever function the user wants.
The LABS collection currently includes strings, guitars, pianos, brass, drums, vocals, percussion, synths, and experimental instruments. Although not quite as detailed as more extensive sampled libraries, we had no trouble making them fit into our productions.
Bottom-line
The LABS instruments are about as straightforward as plugin instruments can be. Even if you already have a collection of software instruments, you will probably find a use for some of these plugins.
Vinyl by iZotope
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iZotope has long been known for its excellent noise reduction and sound improvement plugins. So it was a bit of a surprise when the company rolled out a plugin that adds grit and dirt to audio. With Vinyl, you can dirty up your tracks with a healthy helping of dust, scratches, and mechanical noise, instantly giving them the character of a vintage recording.
Best Features & Specs
As the name implies, Vinyl makes tracks sound like they are being played from a turntable. Ideally suited for every stage of the production process, we found this to be the most convenient solution to get the authentic vibe heard on ’60s and ’70s recordings.
We like how you can control how much ‘pixie dust’ you can add to your tracks. Whether you need just a few cracks and pops, a touch of mechanical noise, or you really want to thrash your audio, Vinyl provides independent control over each element.
Bottom-line
Vinyl works on pretty much everything from drums and strings to full mixes. If your tracks are sounding just a bit too clean, this plugin will let you dirty them up in a few clicks.
Ozone Imager 2 by iZotope
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iZotope’s Ozone Imager 2 offers a quick and easy way to alter the stereo image of your tracks. Whether you need to widen a pad or string section or narrow down your bass and kick drums to fit into a mix, Ozone Imager lets you do so quickly and easily.
Best Features & Specs
The most obvious application of Ozone Imager is to widen an audio track. If you need your synth pad or string section to fill up the soundstage, Ozone Imager will get the job done without imparting any sonic anomalies that could make mixing a nightmare.
Ozone Imager provides two flavors of Stereoize: one lets you widen source audio with a cool phasing effect, while the other widens signals more subtly. The plugin also has three vectorscope meters that give you instant visual feedback on your stereo spread.
Bottom-line
Ozone Imager is a fairly simple plugin that is useful for mixing as well as creative experimentation. If you are struggling to make certain elements fit into a mix, this is one you can try out, of check out or list of other mixing plugins.
MAutoPitch
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MAutoPitch is a pitch correction plugin developed specifically for vocals and monophonic instruments. Simple and straightforward, it is nevertheless capable of producing great-sounding results that compare favorably to more expensive pitch correction plugins. It even has formant shift and stereo-expansion features that expand its capabilities as a creative audio production tool.
Best Features & Specs
Compared to many FL Studio plugins for free, MAutoPitch has quite an impressive user interface. It can be resized freely and has standard meters as well as time graphs. It also has sophisticated multi-parameter features such as mid-side and 8-channel surround processing. We particularly like the onboard safety limiter and the automatic gain compensation (AGC) features that keep levels in check.
All MAutoPitch parameters can be mapped for MIDI control and automation. This enhances the plugin’s value as a creative tool, making it more than just a “set-and-forget” processor.
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From subtle pitch correction to creative sound design, MAutoPitch does it all. If you do a lot of vocal work, this plugin is an essential addition to your toolbox.
Supermassive by Valhalla DSP
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Supermassive is only one of a handful of time-based plugins that form the bedrock of Valhalla DSP’s stellar reputation. The company’s delays and reverbs compare favorably to much more expensive plugins, and their features and capabilities are well known to producers across the globe. With Supermassive, the company once again proves its expertise in developing lush and exquisite sounding plugins, with a few more tricks up its sleeve.
Best Features & Specs
Supermassive is designed specifically to produce spacious and expansive delays and reverbs. Ideally suited for adding atmosphere to dry and lackluster productions, it sounds just as good when dialed down for more subtle ambiance.
Like all Valhalla DSP plugins, Supermassive is freely resizable, with precise controls for every parameter. It is based on a system of feedback delay networks, with each delay ultimately being processed by a unique WARP control. This allows you to produce everything from twinkling echoes to rich and deep reverbs and everything in between.
Bottom-line
Supermassive is easily a great VST for lush ambiance, even able to compete with our list of top VSTs on the market. Even if you already have a couple of favorite reverbs and delays, you will likely find yourself patching in Supermassive every time you need a unique atmosphere in your productions.
Pancake 2 by Cableguys
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Cableguys’ Pancake 2 handles a variety of panning and imaging functions in a slick and easy to use interface. Like all Cableguys plugins, Pancake 2 offers full control over the most useful parameters, giving you total control over your sound. You also have plenty of options to modulate the source audio as you wish, so you have free rein over your creative vision.
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PanCake allows you to set and forget the modulation depth and rate if you wish, although you could also draw in your own modulation curves. This feature is perfect for panning audio in time with the tempo or ramping up the speed for a buildup.
Of course, the plugin’s LFO can be set to sync to your host DAW’s tempo as well. Speeds from ¹⁄₁₂₈ notes to 32 bars are possible, giving you a wide range of movement options. The plugin also has a left/right display so you always know what is going on with your soundstage.
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Like the other top FL Studio plugins out there, Pancake 2 can be as simple or as complex as you wish. Whether you need subtle movement in your tracks or you are looking for more intense panning functions, Pancake 2 is one of the best free plugins for FL Studio.